Above image: an enlarged section from one of Bill Munns’ PGF scans.
“[The] thing that mystifies me is that, given how incredible the Patterson film is, somewhere in the last 50-odd years, somebody else should have been taking some kind of footage that was at least close to it, but there's nothing even close. Everything else is almost junk by comparison.”
– Hollywood Special Makeup Effects artist, computer graphics expert and PGF archivist, William “Bill” Munns
There are a few researchers for whom the Patterson-Gimlin Film has sparked a life-long quest to analyze its mystery and the possibility of Sasquatch. Concerning the preservation of the actual film itself, no one has done more to secure its integrity than William “Bill” Munns. While the original 16mm Kodachrome Color-Reversal film shot by Roger Patterson has since gone missing, Munns built a mobile High Definition digital film scanner and with exclusive permission from Patterson’s widow Patricia, has painstakingly scanned every frame of her first generation copy at 5K resolution, even discovering an additional two frames at the beginning, making the total count 954 frames in total. Bill Munns has spent most of his long career in filmmaking and creating special makeup effects, starting as a makeup artist with Universal Studios in 1969. He created full body suits for fictional creatures such as “Swamp Thing” and “The Beastmaster,” and so he brings to the PGF controversy well-established expertise in the fabrication of various creature costumes. Munns also has spent the last 22 years doing computer graphics, which positioned him well to do the image analysis of the PGF film frames. So he is uniquely well-qualified to analyze evidence consisting of 16mm film, and showing what many suspect is just a human in a fur creature costume. Tonight we sit down with Bill Munns for an interview in which he discusses his process, analysis and his conclusions which lead him to believe the film to be authentic.
Researchers have re-located the site where Roger Patterson and Bob Gimlin had their encounter with “Patty” the Sasquatch, on the banks of Bluff Creek around 1:30 p.m. on Friday, October 20, 1967. Bluff Creek is a tributary of the Klamath River, about 25 logging-road miles northwest of the town of Orleans, in Del Norte County California. GPS coordinates provided by BIGFOOT’S bLOG website.
The Kodak K-100 16mm camera – Patterson’s actual movie camera
Film Scans and Composites from Bill Munns
The following are scans of frames, composites and charts from Reels 1 and 2 of Roger Patterson’s footage, put together by Bill Munns, which can be found on his website here: http://www.themunnsreport.com/tmr_v2_design_005.htm All images copyrighted, for research purposes only.
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Episode 143: The Patterson-Gimlin Film Part 5. Produced by Scott Philbrook & Forrest Burgess; Audio Editing by Sarah Vorhees Wendel; Sound Design by Ryan McCullough; Tess Pfeifle, Producer and Lead Researcher; Research Support from the astonishing League of Astonishing Researchers, a.k.a. The Astonishing Research Corps, or "A.R.C." for short. Copyright 2019 Astonishing Legends Productions, LLC. All Rights Reserved.